i have the strength of time within me
i have mountains, quiet valleys
within me
the way we are made of matter
we are made of time
II.
time: relative
mathematicians theorize
one or two dozen dimensions
how limited our perspectives
how are limits
in/beyond linearity?
i wouldn't call this certainty
III.
wildflowers
grains of sand
all the future happened
already exists
how are limits
in/beyond linearity?
i wouldn't call this certainty
III.
wildflowers
grains of sand
all the future happened
already exists
all that existed
exists
IV.
i cannot see my eye
cannot see the self
cannot see itself
cannot see itself
V.
branching, quaking,
squirming, shaking,
becoming
what is the all?
the piece of totality asks itself
the lady of permutations
changing textures
as food becomes the body
becomes conscious,
as food becomes the body
becomes conscious,
what are the boundaries of change?
what of change?
in what time?
what of change?
in what time?
VI.
time passes
bodies pass
relative to other bodies
all the same thing
zoom out
time lapse
same thing
VII.
mountains crumbling, rising sea,
silt layering, eroding
VII.
mountains crumbling, rising sea,
silt layering, eroding
churning matter through
you have mountains in you
----
Footnotes:
The image of hills in me comes from Jesse Stuart's Man with a Bull-Tongue Plow, sonnet 47 (1934).
The "Lady of Permutations" is from Dante's Inferno, Canto VII. I like John Ciardi's translation.
The images of the wildflowers and grains of sand are from William Blake's "Auguries of Innocence."
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